Showing posts with label jess walter. Show all posts
Showing posts with label jess walter. Show all posts

November 16, 2016

"Thief" by Jess Walter: The Senselessness of Guilt

In the stories I have read, Jess Walter tends to focus on blue-collar people or worse. "Thief" is no different. The story is about a family of five. Each family member's persona, except for the mother, is described in detail because each is a suspect. The father Wayne is tearing himself apart trying to understand why one of his children would steal loose change from the family vacation fund. At first I thought the father was the thief because he prowls around the house at night examining his children, however the father is simply a workaholic and possibly a drunk who thinks a lot about his friend Ken's affair with a woman named Donna. Caring about the Father's dilemma is difficult because the stakes of the story don't seem very high. Who cares about a few cents here and there.

Wayne has fond memories of the vacations his family took when he was a child. He smiles while telling his wife about a trip to Yellowstone. The vacation fund is a tradition that started with Wayne's father. It takes two years before the family has enough money to take a vacation. Early on Wayne tells his wife why the missing money is a problem: "You want one of your kids stealing from their own goddamn family? You want your kids to be like this?" On his day off Wayne pretends to leave for work and instead hides in the closet, hoping to catch the thief in the act. Wayne hear the thief take money from the jar but he doesn't have the nerve to confront them. When the thief has left the room, Wayne can only reach for a beer. And here is where the story takes a turn. The narrator several numerical facts about the family in quick succession: "The house cost $44,000. The interest rate is 13 percent. The father works rotating shifts at a dying aluminum plant - day, swing, graveyard - for $9.45 an hour, and he comes home so tired, so greasy, so black with soot and sweat that he unrecognizable, and yet, every day he gets up to do it again." The ending completely changes how we view the rest of the story. Wayne becomes a messiah-like figure who dies everyday for his family's sins. You understand the father's struggle on a deeper level. Life is extremely difficult and Wayne struggles everyday to make ends meet with only the faint hope of a vacation every two years to motivate him. Sometimes the people we love don't realize the true consequences of their actions. The thief "burns with shame" but shame is not enough to keep the thief from stealing. What's on the surface is rarely enough to fully understand something. The truth is always far more complicated than appearances suggest. Few writers capture this idea better than Jess Walter.

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November 15, 2016

"Anything Helps" by Jess Walter

"Anything Helps" is narrated in the third person and the narrator has direct access to the main character's memories and thoughts. This main character, named Bit, is an experienced homeless vagrant who routinely panhandles for money with a cardboard sign reading "anything helps".

The story is intended to be a realistic depiction of Bit's struggle. I doubt that this is a true story but I can imagine many people like Bit who exist in reality. Sometimes fiction can be more "true" than reality. While the teller's motivation is never explicitly stated, I assume that the story exists to shine a light on a marginalized person. This is an honorable intention and it can sometimes backfire when the writer does not have good knowledge of the marginalized person's experiences. Fortunately Jess Walter seems to have a good idea of what a homeless person's life is like. That is what makes this story work.

The story is paced deliberately with very clear scenes that lead to a climax. It's easy to track Bit as he moves from point A to point B. It's the story of someone wanting to do something good for a family member but failing because of real-life circumstances. Bit buys a Harry Potter book for his son Nate but he does not realize that Nate's foster parents prohibit their children from reading Harry Potter. It's the thought that counts and Nate is mature enough to reasonably refuse his father's gift. At this point in the story, we understand Bit's pathos. All he wants is to give his son something so he can feel like good father he never was. It's too late and Nate is clearly better off living with Foster parents, evidenced by his bike and braces, which he likely would not have if he still lived with Bit.

The story is circular in that it ends exactly where it began with Bit panhandling at by the freeway. Bit's mind is on the Harry Potter book and its meaning to him as a reminder of his experiences with Nate. This is an ending that leaves you wanting more, a perfect opening story. There is no closure. We don't know what will happen to Bit. We only know that Bit thinks he would be better off dead like his wife Julie. Perhaps the ending is somewhat hopeful because it depicts Bit finding some solace in one of his darkest moments. I choose to think of the ending in this way.

Other writers on the internet have done some really great writing on this story. I recommend this piece from greatwriterssteal.com.

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February 16, 2016

"Mr. Voice" by Jess Walter

"Sometimes your life changes in big, dramatic ways, as though you've been cast in a play you don't remember auditioning for. Moments have the power of important scenes: being paraded in a tiny purple dress at a wedding, someone putting headphones on you and playing a rock song. But other scenes seem to occur offstage; it's as if you just awake one morning and understand that a certain thing is now something else."

Summary


I recently checked out 2015 edition of The Best American Short Stories. The final story in this collection is Jess Walter's "Mr. Voice". The teller of this story is a young woman named Tanya who lives with her single mother. Tanya's mother is a "stunner" who goes through men like toilet paper. Out of nowhere, Tanya's mother settles down with a man referred to as Mr. Voice, a fifty-year-old radio host known for his distinctive speech patterns. Tanya and her mother move in with Mr. Voice and his son Brian, a teenager who wiles smoking weed and playing guitar.

One day, Tanya's mother leaves with Brian's guitar teacher Allen. This forces Tanya to spend more time with Mr. Voice who she starts referring to as Claude. Tanya realizes that Mr. Voice AKA Claude is the closest thing to a responsible parent that she will ever have. He even teaches Tanya about female reproduction. Tanya reaches puberty and starts to notice the attention of men, but Tanya only has eyes for her step-brother Brian. To get closer to Brian, Tanya flirts with his best friend Clay. Unfortunately, this leads to Clay practically raping Tanya when she is home alone. But this story interrupts the rape by having Mr. Voice kick Clay out of the house. Mr. Voice teachers Tanya that she never has to do something that she doesn't want to do. Tanya also learns that Brian is gay so there goes her chances with him. After her mother dies, Tanya learns that Allen, the guitar teacher, is her biological father, though at this point, Tanya could care less because the only real parent she has ever had is Mr. Voice.

Analysis


This story is both uplifting and tragic. Although Tanya's mother abandoned her with Mr. Voice, it's probable that she married Mr. Voice because she knew he would take care of Tanya. So even though mother made poor choices, at least she could give Tanya the parent that she would never be. Mr. Voice is clearly a hero in this story. When Tanya finds out that Allen is her biological father, she ends the story by referring to Mr. Voice as father. A parent is not someone who creates you, a parent is someone who takes care of you after you are created.

The turning point in Tanya's character is when she realizes that she is her own person. She doesn't have to listen to her mother's crazy advice and no matter how similar they look, she can blaze her own trail. Without Mr. Voice, Tanya would have lived her life is accordance with her mother's advice: "Your looks are like a bank account...at some point you'll have to spend the money." Understandably, something about this advice makes Tanya feel ill.

This is a very pleasant and succinct story. The events are straightforward and easy to understand and the characters' actions are clear-cut by the story's end. Tanya's mother leaves because that is what the story needs to have happen. The story also gives the audience exactly what it wants. Mr. Voice saves Tanya from Clay because that is what needs to happen. If Tanya were actually raped, the story would progress in a very different fashion. The story gives you the possibility of horror but would never fully allow this horror to take place. God forbid the people reading this story might feel sad or cold at the end and then Jess Walter would look like a creep. There's no chance of that happening. Jess Walter needs his readers to feel somewhat happy so they will go out and read his next book.

I shouldn't say that about this story. It's my first encounter with Walter's work and I found it to be quite clever and engaging. However I hope that the other stories in this collection are not as family-friendly wholesome entertainment. I hate it when literary fiction tries too hard to make you feel happy. Literature exists to challenge us and make us consider things with new perspectives. It has no obligation to feed us warm emotions. This is not what I expect or find admirable in work of literature.

As always, please feel free to leave your thoughts in a comment. Thanks for reading.

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